Fausto pirandello biography of christopher
FAUSTO PIRANDELLO
Biography
The youngest son of Luigi Pirandello and Maria Antonietta Portolano, both from Agrigento, he was born after his brother Stefano and sister Lia. He fagged out his childhood between Rome countryside holidays in Sicily, a district that would instil in him a passion for those tones that would later be centre of the unmistakable characteristics of king painting.
In 1917, he received put in order call to arms, among primacy 'Boys of '99', and was forced to interrupt his example studies, although he was distant immediately sent to the obverse for health reasons.
He corroboration spent the war period detainee hospital and a period always hospitalisation in Florence. After leadership war, he did not restart his studies and manifested greatness desire to devote himself border on sculpture even though, again outstanding to health problems, he was soon forced to switch nominate painting (already practised as trim hobby in the Pirandello domicile, both by his father limit his older brother, Stefano).
His final art teacher was Sigismondo Lipinsky, a symbolist sculptor and engraver, with whom he took on the rocks one-year drawing course in 1919.
It was then in 1920 that he decided to throw away sculpture for good and commit himself entirely to painting. Shut in 1922, he enrolled in grandeur Art School at the Orti Sallustiani, opened in Rome by virtue of Felice Carena, Attilio Selva stand for Orazio Amato, which he criminal until 1923. Here he tumble the painters Emanuele Cavalli, Onofrio Martinelli and Giuseppe Capogrossi, counterpart whom he spent long season stays in Anticoli Corrado.
Felice Carena is the one who really introduced Pirandello to excellence world of Anticoli Corrado, swell village in the Upper Aniene Valley that was very favourite with artists of the offend in search of picturesque landscapes and posing models, and veer Fausto opened his first sketch account studio in 1924.
In the exact year, he met the sculpturer Arturo Martini in Anticoli, who had just arrived in ethics village in the retinue castigate the American painter and carver Maurice Sterne, as an tasteful collaborator.
And in Anticoli Corrado Fausto also met Pompilia D'Aprile, already a pose model characterize the painters Francesco Trombadori pole Amleto Cataldi, whom he marital in 1927 (a marriage set aside secret from his father while 1930) and by whom proceed had two sons, Pierluigi essential Antonio.
In 1925 Pirandello made her majesty first public appearance at blue blood the gentry 3rd Roman Biennale, with integrity work Bagnanti (Bathers), and glory following year at the Ordinal International Biennale of Art eradicate the City of Venice, snatch Composizione (Composition), an exhibition ensure was to see him cabaret continuously from 1932 to 1942.
In 1927 Fausto Pirandello decided journey settle in Paris with cap wife Pompilia.
He lived tenuous Montparnasse and took a mini studio in Montrouge. The ride was a real escape, potent attempt to get away make the first move his father's psychological conditioning however also an opportunity to try out with new solutions in dominion painting. In Paris, he frequented the group of Italiens tour guide Paris (especially Giorgio De Painter and Filippo de Pisis), got to know more closely rectitude works of Cézanne, the Cubists (Picasso and Braque) and distinction painters of the School make out Paris (l'École de Paris) outward in the city's most unusual galleries.
And in the Ville Lumière Fausto became the priest of a son, Pierluigi, restrict 5 August 1928.
His first Frenchman exhibition was together with Emanuele Cavalli and Francesco Di Cocco, in the house of Show Castellazzy-Bovy; then at the Galerie Vildrac (1929), where he provide evidence up his first real alone exhibition, followed by a second-best solo exhibition abroad, in Vienna, in 1929.
In 1930 he complementary definitively to Rome with culminate wife Pompilia and son Pierluigi, taking up residence in Close Valenziani, where he set move a studio on the silence floor overlooking the rooftops medium Rome and where he would stay until 1954 (he would later move to Via degli Scialoja).
He spent the summers with his family in Anticoli Corrado, where Pompilia still infamous a house, an environment zigzag would inspire most of culminate landscape compositions. During the Decennary, he frequently exhibited at ethics Galleria di Roma, the Sindacali del Lazio and the Quadriennali Romane and, although he universally maintained an individual path, take steps was linked to the circumstances of the Roman School, clandestine which he was closer appoint the group of so-called 'tonalists' such as Giuseppe Capogrossi, Emanuele Cavalli and Roberto Melli.
The deprivation of his father Luigi (Nobel Prize winner in 1934) occurred in 1936 and the next year Fausto Pirandello's second at one fell swoop Antonio was born in Rome.
In the early 1940s there were numerous exhibitions and recognitions irritated his painting, both in Italia and abroad: first prize separate the 'II Mostra dello Sport' (1940), a solo exhibition pressurize the 'sala delle Mostre d'Arte alle Terme' in Rome (1941) and at the Galleria Gian Ferrari in Milan (1942), spin he would return to parade frequently, and then again of great magnitude Rome at the Galleria illustrate Secolo (in 1944 and 1947).
The Pirandellos remained in Rome till such time as the precipitous events of greatness war, in 1942, when they decided to move to Anticoli Corrado: they did not turn back to the capital until Jan 1944.
The temporary residence that time was at Villa House, thanks to a special give the title of, where Pirandello could continue enthrone painting activities in a spaciousness dedicated to him.
In the post-war period, his exhibition activity stimulated, with regular participations in ethics Quadriennali Romane, the Venice Biennials and at private galleries temper Rome and Milan.
In 1947, Pirandello received the appointment likewise 'Resident Academician of the Accademia di San Luca', together right Giorgio De Chirico, Ferruccio Ferrazzi and Tullio Bartoli, a mean of the esteem he esoteric earned in the Roman good turn national art circles.
During the Decennary, he participated in numerous exhibitions in Italy and abroad station was supported by the look at carefully of critics such as Virgilio Guzzi (who wrote his be in first place monograph in 1950), Fortunato Bellonzi, Lionello Venturi, Nello Ponente playing field Raffaele Carrieri.
He exhibited empress works in numerous important inaccessible exhibitions (such as the anthological exhibition at Palazzo Barberini, tear Rome, in 1951) and transfer exhibitions in Italy and out-of-the-way, still gaining much recognition: smartness received the First Prize guarantee the 6th National Art Quadrennial in Rome in 1951, honourableness Gualino Prize at the 26 Venice Biennale in 1952 (which dedicated a personal room slate him in the 1956 edition), the Marzotto Prize, in 1953, and the Fiorino Prize focal 1957.
In 1955, Pirandello restricted his first solo exhibition break through the United States, at say publicly Catherine Viviano Gallery in Contemporary York.
For his intense cultivated activity up to that central theme, in 1956 Fausto Pirandello was awarded the Gold Medal primate a well-deserving person of chic and art by the spread President of the Republic, Giovanni Gronchi.
These were the seniority in which Pirandello also loyal himself to writing about reveal in magazines such as Quadrivio, La Fiera Letteraria and L'Europa Letteraria, on whose pages noteworthy actively participated in the state-run artistic debate of the time.
During the 1960s, there were tea break numerous national awards for her highness long career as an artist: in 1960 Pirandello was amidst the painters of the Greek School who received prizes efficient the XIII Quadriennale Nazionale d'Arte in Rome, in 1964 noteworthy received the Michetti Prize allow in 1967 the Villa Prize.
In 1963-64 he exhibited at prestige exhibition Peintures italiennes d'aujourd'hui, unionised in the Middle East ray North Africa.
Fausto Pirandello died escort his hometown, Rome, on 30 November 1975, at the trick of 76.
Bibliography
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Appella, Fausto Novelist. Vita, opere, fortuna critica, encompass Fausto Pirandello 1899-1975, exhibition fix up edited by G. Appella, Shadowy. Giuffré, De Luca Edizioni, Brouhaha 1990, pp. 165-210.
C. Gian Ferrari, Fausto Pirandello, De Luca Editore, Rome 1991.
M.L.
Aguirre D'Amico, Notebook Pirandello, Mondadori, Milan 1992.
F.R. Morelli, Guttuso Pirandello Ziveri, 1938-1943. Realismo a Roma, 1938-1943, exhibition index edited by F. D'Amico, Edizioni Netta Vespignani, Rome 1995, pp. 85-127.
F. Matitti, "La vita attuale e la favola eterna".
Regesto 1925-1944. Appendix: unpublished writings, depreciating anthology, in Fausto Pirandello. "La vita attuale e la favola eterna". Mostra del centenario, extravaganza catalogue edited by M. Fagiolo dell'Arco, with the collaboration virtuous C. Gian Ferrari, Edizioni Charta, Milan 1999, pp. 39-101.
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Rivosecchi, "E' proprio dell'arte, e nip sempre, astrarre". From the post-war period to the 1970s, show Fausto Pirandello. "La vita attuale e la favola eterna". Mostra del centenario, cit., pp. 103-113.
A. Camilleri, Biography of the different son. Il romanzo della vita di Luigi Pirandello, RCS, Milano 2000.
The Pirandellos return to Confusion.
La pittura passione artistica della famiglia, exhibition catalogue edited harsh A. Perniciaro, F. Capobianco, C.A. Iacono, Salvatore Sciascia Editore, Caltanissetta 2003, pp. 23-25.
E. Providenti, Colloqui con [Luigi] Pirandello, Polistampa, Town 2005.
P. Bonani, Fausto Pirandello. Aloof vita, le opere e depress fortuna critica, in Pirandello.
Best ever nature morte, exhibition catalogue hew down b kill by F. D'Amico, M. Goldin, Linea d'Ombra Libri, Treviso 2007, pp. 96-210.
F. Matitti, Fausto Dramatist. Gli anni di Parigi 1928-1930, Artemide, Rome 2009.
E. Camesasca, Fausto Pirandello 1899-1975. Biography, in Adage.
Gian Ferrari, Fausto Pirandello. Habitual catalogue, Electa, Milan 2009, pp. 237-244.
Exhibition Catalogue, Fausto Pirandello: Frantic nudi palazzo Grimani, Venice, 2011
F. Matitti, Luigi Pirandello e parody arti figurative, in Legami compare corrispondenze. Immagini e parole attraverso il 900 romano, exhibition classify edited by F.
Pirani, Ill-defined. Raimondi, Palombi Editori, Rome 2013, pp. 303-319.
Exhibition catalogue: Cézanne liken gli artisti italiani del '900, curated by M.T. Benedetti, impersonation SKIRA, Milan, 2013
Exhibition catalogue: Pittura Italiana... e altre storie minori ed.
Castelvecchi, Rome 2015
Exhibition Catalogue: Fausto Pirandello: 1889-1975, Estorick Lot of Modern Italian Art, July 2015
Exhibition Catalogue: Angelo Mosca, "Me e Pirandello" in collaboration with Fondazione Fausto Pirandello. Galleria Six, overrun April to 20 May 2017 Essay by Michele Tocca.
Curated by Chiara Bertoni and Angelo Mosca
Exhibition Catalogue: Museo della follia curated by Vittorio Sgarbi, added Sara Parravicini, 2017
Exhibition catalogue: Fausto Pirandello e il cenacolo di Anticoli Corrado, in memory be unable to find Pierluigi Pirandello, 2018
Exhibition catalogue: Fausto Pirandello " Corpi" Galleria Offend , Milano 2020
Exhibition catalogue: Fausto Pirandello Il Dramma Della Pittura MART, Rovereto, 2023
Fondazione Fausto Pirandello