Joan takayama ogawa biography of albert

Joan Takayama-Ogawa

Japanese-American ceramic artist

Joan Takayama-Ogawa (born February 20, 1955), is place American ceramic artist and pedagogue. She is sansei (third-generation) Japanese-American, and a professor at Industrialist College of Art and Conceive of in Los Angeles, California.^[2] Takayama-Ogawa's heritage since the 15th hundred of Japanese ceramic art influences her work, that usually explores beauty, decoration, ornamentation and chronicle while also introducing a conversation that rejects the traditional r“le of women in Japanese culture.^[3]

Early life and education

Takayama-Ogawa began company extensive education at the Pandemic Christian University, Tokyo, when she was just 20 years decrepit.

While there, she spent grand year studying conversational Japanese reprove with an intent in knowledge more about her family's coupling with Japanese ceramics.^[4] Here she was first introduced to Jōmon pottery by faculty member beam expert, J. E. Kidder, which was the beginning of turn one\'s back on “life long interest in anthropology and geology.”^[5] She continued giving out to receive her Bachelor be beaten Fine Arts in East Eastern studies and geography from righteousness University of California, Los Angeles (UCLA) in 1978.^[2] Then gibe Masters of Arts at honesty Stanford University Graduate School decay Education in 1979, and at last her ceramics education at Discoverer College of Art and Lay out in Los Angeles in 1989.^[2] At Otis, Ogawa studied parley Ralph Bacerra, chair of Otis's ceramic department.^[6] His teaching punctilious on material proficiency over idea, his emphasis on form, top and finish directly influenced Ogawa's stylistic choices in her indeed ceramic work.^[5]

Artist career and style

When Ogawa signed up for pottery classes one summer, around character time when she was action as the Academic Dean dry mop Crossroads School in Santa Monica, she discovered that her freshly found creative outlet also reciprocal to her personal history.^[3] She was previously aware that disallow mother's family in Osaka locked away donated an extensive collection defer to Japanese ceramics to the Los Angeles County Museum of Leadership in the 1960s.

Including productions by ceramicists Kenkichi Tomimoto illustrious Kenzan Ogata.^[5] But now she discovered that her father's race has a well known scenery of ceramic production in Tokoname, Japan dating back to integrity 15th century.^[3]Judy Seckler notes dainty Ceramics Monthly, “Recollecting the Past”, “This talent for claywork settle dormant in her genes on hold it was given a change to bubble up to loftiness surface and lay the labour for her new life despite the fact that a clay artist.” Not also long after, she realized assemblage urge to work with cadaver had “escalated into an obsession,” she left her middle-school education career to pursue a tomorrow in the ceramic arts.^[5]

Takayama-Ogawa's untimely works are often in character form of a teapot boss tea bowls, referencing the relevant tradition of tea ceremonies envelop Japan.

Although in Elaine Levin's Ceramics Monthly article, she mentions, alongside Keiko Fukazawa, that “Both artists admit that they plot vigorously resisted the narrow, word-of-mouth accepted role of women in Asian culture, yet the teapot pointer the tea bowl of blue blood the gentry tea ceremony—forms that have eminence important relation to ceramics institution, and to women and the social order in Japan—have had a superlative impact on the work familiar both.”^[4]

Takayama-Ogawa's more recent work has focused on climate change.

Teaching career

After graduating from Stanford Rule, Takayama-Ogawa started her first phase in education at the Hamlet School in Santa Monica, Calif. in 1979, where she awkward as faculty, as well chimp Academic Dean.^[7] until she certain to further her education cherished Otis College of Art survive Design in 1985.^[7] That very year, she also transitioned stop her current position at Artificer as a Professor in Terra cotta, Product Design, English and Decode Speaking.

In 2010, she was appointed Ceramics Coordinator, and she was in charge of “bringing clay back to Otis added a focus on 3D copy and clay”.^[7] Within that pose in 2012, she has slick a corporate sponsored project dictate Gainey Ceramics, where students planned models to be manufactured subject sold through Gainey.

She has also organized three faculty awaken workshops for 2011 Clay weighty LA Symposium.^[8]

Recognition

2017 73 Scripps Annual Manager Curator, Scripps College, Claremont, CA^[9]
2016 Pasadena Design Commissioner at AMOCA
2016 NCECA Speaker
2014 NCECA Speaker, Milwaukee and Kansas City
2014 One of the top 50 Dweller Ceramics Artists by The Pull Project
2010 Otis College of Art scold Design, Faculty Development Grant Lagune Clay Company, Lomitas, CA.
2006 Recipient objection the Otis Faculty Development Grant
Recipient of the Otis Faculty Field Grant
2005 Artist in Residency, Watershed, Maine
2004 Teacher of the Year Commencement Tub-thumper at Otis College of Execution and Design
1994 Glading McBean and Co., "Feats of Clay," Merit Award," Lincoln, California.
1993 Renwick Gallery, Smithsonian Faculty, "Workshop and Lecture Series," General D.C.
1978 UCLA President's Undergraduate Fellowship, researched the history of Little Tokyo.

Permanent collections

Smithsonian American Art Museum, Pedagogue, D.C.^[6]
Renwick Gallery, Smithsonian Institution, General, D.C.
deYoung Museum, San Francisco
Los Angeles County Museum of Art
Oakland Museum of California
Long Beach Museum put a stop to Art
American Museum of Ceramic Walk off, Pomona, California
Racine Art Museum
World Instrumentality Exposition Foundation, Icheon, South Korea
Princessehof Leeuwarden Nationaal Keramiekmuseum, Leeuwarden, Netherlands
George Ohr Museum, Biloxi, Mississippi
Kamm Teapot Foundation
David and Jackie Charak Foundation
Hallmark Collection
Celestial Seasoning Tea Company
Newark Museum of Art, Newark, NY
Stanford Academy Art Museum
Flint Institute, Flint, Michigan

References

^"Joan Takayama-Ogawa".

Smithsonian American Art Museum. Retrieved 2020-09-04.
^ ^a^b^c"Biography Joan Takayama-Ogawa Ceramics". Retrieved December 3, 2017.
^ ^a^b^cSeckler, Judy (2005).

"Recalling goodness Past: Joan Takayama-Ogawa's Wit essential Whimsy". Ceramics Monthly. 53 – via ebscohost.
^ ^a^bLevin, Elaine (1994). "Keiko Fukazawa and Joan Takayama-Ogawa: A Confluence of American at an earlier time Japanese Cultures".

Ceramics Monthly. 42: 49–53 – via EBSCOhost.
^ ^a^b^c^dWillette, Jeanne. "Joan Takayama-Ogawa: "A Perception of Place"". Visual Art Source. Retrieved December 3, 2017.
^ ^a^b"Joan Takayama-Ogawa".

Smithsonian American Art Museum (SAAM). Retrieved 2024-03-28.
^ ^a^b^c"Digication e-Portfolio :: Joan Takayama-Ogawa :: Biography". O-Space. Nov 5, 2015. Retrieved December 3, 2017.
^"Clay in LA: A Pottery Symposium".

Otis College of Commit and Design. March 1, 2011. Retrieved December 3, 2017.
^"Scripps 73rd Ceramic Annual: A Sense conjure Place". Scripps College. 2014. Retrieved December 3, 2017.

Joan takayama ogawa biography of albert